(Am I trying to make up for the couple months of lj absence all in one day????)
1. Grab the nearest book.
2. Open it to page 161.
3. Find the fifth sentence.
4. Post the text of the sentence in your journal along with these instructions.
5. Don't search around and look for the coolest book you can find. Do what's actually next to you.
Lönnrot tried to adapt the episodes telling about Väinämöinen to the work so that the account would "flow", i. e. so that the events would follow one another without any sense of conflict.
(Religion, Myth, and Folklore in the World's Epics, ed. Lauri Honko)
1. Grab the nearest book.
2. Open it to page 161.
3. Find the fifth sentence.
4. Post the text of the sentence in your journal along with these instructions.
5. Don't search around and look for the coolest book you can find. Do what's actually next to you.
Lönnrot tried to adapt the episodes telling about Väinämöinen to the work so that the account would "flow", i. e. so that the events would follow one another without any sense of conflict.
(Religion, Myth, and Folklore in the World's Epics, ed. Lauri Honko)
no subject
Date: 2006-04-23 04:24 am (UTC)"Reading the detectors has enabled me to tell a story about high energy physics culture; reading machine-texts enabled me to describe the reproduction of nature, the construction of discovery, and the reproduction of physicists in this community." (from Beamtime and Lifetimes by Sharon Traweek, a fascinating anthropological study of high-energy physicists)
no subject
Date: 2006-04-23 05:01 am (UTC)I think I have heard of this study - is it the one where she interviews high energy particle physicists in the US and Japan and, and, in answering the question,"Why are there so few women in your field?" she gets these responses:
US: "In this field people need to be decisive and forceful. Women tend to be (are socialized to be) more deferential to others, and thus don't work well in this field."
Japan: "Women are used to being the bosses of their households. In this field it is very important to defer to others and listen carefully to others' ideas. Women are not (are not socialized to be) deferential enough to others, and thus don't work well in this field."
I really need to actually read the study, rather than just frequently paraphrasing a former professor of mine's paraphrasing of it.
How did you come to be reading it?
no subject
Date: 2006-04-23 05:05 am (UTC)How did your concert go?
I'll do mine here, too.
Date: 2006-04-23 05:21 am (UTC)-Harry Potter y el misterio del principe
no subject
Date: 2006-04-23 05:26 am (UTC)It's pretty weird to begin to feel blase about playing Davies. - Oh, yeah, Davies Symphony Hall - been there, done that. They have good chairs. Yawn.
You'll be interested to know that it sounds like next year's concert will probably include G&S. Our conductor says that the (quite tentative) program will probably be a condensed G&S operetta (either Pirates or one other I don't recall) for one act, and Judy Garland songs for the other act.
I got someone to take some good pictures of the orchestra on stage during the rehearsal this year, and she also got some good pictures of me. I made one of them into my new cello-related icon.
no subject
Date: 2006-04-23 06:44 am (UTC)no subject
Date: 2006-04-23 06:46 am (UTC)no subject
Date: 2006-04-23 06:48 am (UTC)I'd noticed your new icon -- it's quite nice! (You're not really wearing a skirt, are you?)
I actually could've been singing at Davies this week, if I'd wanted to do Beethoven's 9th. I decided to pass....
no subject
Date: 2006-04-23 07:36 am (UTC)Nope, the SFGMC will play all the roles - including the female ones. It's part of their shtick.
You're not really wearing a skirt, are you?
Well... no... not at the moment. ;)
But I did wear one for the concert. Don't come hoping to see me in the same dress again next year though. Our principal cellist recognized my dress from last year, and gave me a hard time about wearing the same dress two years in a row. So I'll definitely have to find something else to wear next year, and I very much doubt it will involve a skirt.
I actually could've been singing at Davies this week, if I'd wanted to do Beethoven's 9th.
With Philharmonia Baroque? My cello teacher is playing with them for Beethoven's 9th right now. He let me try his gut-strung cello at my lesson last week. It was weird and completely different from metal strings; Very interesting.
no subject
Date: 2006-04-23 10:05 am (UTC)Me, I'm glad.
no subject
Date: 2006-04-23 12:01 pm (UTC)no subject
Date: 2006-04-23 04:20 pm (UTC)Oh, you meant the concert with SFGMC. I hadn't twigged to that (though it makes sense in context) -- I thought you just meant your own orchestra's concert.
Don't come hoping to see me in the same dress again next year though.
Aww, shucks.
and gave me a hard time about wearing the same dress two years in a row.
That's bizarre — I thought thtat orchestra people wore the same concert blacks all the time! I figured it was only if you're a soloist that you get an excuse to buy a new dress.
With Philharmonia Baroque?
I guess. It's for the big anniversary thing.
no subject
Date: 2006-04-23 04:22 pm (UTC)no subject
Date: 2006-04-23 04:26 pm (UTC)no subject
Date: 2006-04-23 05:03 pm (UTC)no subject
Date: 2006-04-23 05:06 pm (UTC)